James Wagner

how to get a flu shot in New York

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outside Chelsea Health Center, Tuesday, 7:45 am

[if you're only interested in the logistics, go straight to the bold area within the text below]

I'm not going to go into the political, social, even moral issues surrounding the disastrous loss of half of the nation's supply of influenza vaccine this year. I'm not going to write about what the ensuing chaos in the distribution of the remaining supply says for the competence or resolution of our local, state and federal authorities. And I won't even allude to the implications this mess has for our ability to deal with the major terrorist biological strike those same authorities have been warning us about for at least three years.

I'm only going to describe how I got a flu shot yesterday morning, in the hopes that the story will help others to duplicate my success.

Although I'm not 65 years old, I happen to fall within at least three so-called risk groups for getting a serious case of influenza. Even before those numbers had added up, I had been innoculated every year.

This year as usual, for many weeks beginning late summer, I had trusted in the ability of my primary care doctor, a specialist in HIV disease, to secure a vaccine virtually all of his patients really depend upon each year. The office assured me several times that it was only the usual delay that was postponing my shot. I suspected otherwise, but I did not think any other source would be more reliable than my own physician. When my last call to the office, made the week before this one, produced a flat confession that they would not be getting any supples and (more shocking) that they could not direct me anywhere else, I was left totally to my own devices. By this time the possibilities were of course extremely limited, since the national panic had already begun.

I called every local governmental, institutional and private office I could think of, but every lead came up empty (most of them actually only directing me to each other). My worst experiences (for incompetence) were with the New York's 311 operators and the recordings and individuals answering the phones at the city's Department of Health and Mental Hygiene. One hotline person said there was nothing in my zip code area, suggested I give him another one, and when I suggested rather that he give me one, I was asked, "How about New York, New York?"

Council Member Chistine Quinn's office showed some real interest in my search when I called on Monday, and they had in fact already been trying, thus far without much success, to assemble practical information for those who needed it. Many reports had said that the Chelsea Health Center was giving innoculations, but no one was able to describe the circumstances. Quinn's office promised to continue its investigation and suggested that I stop by the center, which was only five blocks from our apartment. I walked over early that afternoon where I got the information which got me back at their doorstep the next day before dawn.

It was pretty dark. I had forgotten that there even were such hours as those crowded around 6:30 am. The night doorman was still on duty, which seemed to surprise me, perhaps because I wasn't really very much together yet, this being mathematically the middle hour of my usual sleep assignment. A few feet further down the block I smiled to the nice South Asian fruit and vegetable guy as he assembled his display on the sidewalk (he's regularly still at his stand until early evening - his kids will probably end up at Columbia or NYU). The guy who runs the corner newstand was still assembling his display, and inside the doorway of the still locked Gristede's across the street were big bags of fresh crusty bread, apparently at no risk of being snatched away before they were liberated by store staff.

I decided I really like dawn - and the thereafter. But there would still be that problem with getting to bed eight hours earlier, so I'm not likely to rearrange things so long as I live in Manhattan.

I got to the neatly-landscaped art deco Health Center building (west side of 9th Avenue, just below 27th Street) at 6:45. I had been advised the day before to be there by 7 am, to be among the 350 people who would be given shots that day. I was out by 10:30, having drawn number 126 when they distributed the cards which assigned the order to the people lined outside the building.

HERE IS HOW TO GO ABOUT GETTING A FLU SHOT:</p>

Shots are available at seven clinics in the city, but I can only describe the specifics of my own experience. At the Chelsea clinic 350 shots are allocated each Monday, Tuesday, Thursday and Friday (I don't know how finite the total supply may be).

Access to rest rooms is available in the building, although I'm not sure at what time that first becomes possible. There is an elevator to their basement location. Bottled water is occasionally distributed to those waiting, and there is a drink vending machine inside.

I did not see any neighborhood address requirement being invoked, although it may be necessary to be a resident of New York City to receive an innoculation. Only those who are most at risk are being given shots, and some evidence of risk status is being required. That could mean a drivers license or Medicare card for proof of age 65 or above, a doctor's certificate describing an immune suppression (including those with HIV disease), or conditions like heart disease, lung problems and asthma, diabetes, kidney disease, treatment for cancer, high doses of steroids, and sickle cell anemia. I saw some people accepted who were only able to produce (easily identified) prescription items. I did not see any babies.

Around 8 o'clock you are given a number corresponding to your position in line and you are then free to leave for a while or take shelter sitting with your very interesting neighbors inside one of the city buses parked at the curb. Shots will be distributed beginning at 8:30, at the rate of approximately 100 per hour, so you will have a good idea of when you should be back in line.

Once your number is called there is an efficient screening interview and then the vaccine is delivered in your upper arm.</b>

ADDENDUM: If you're looking for a neat little spot close by for a snack or a coffee, head for Lunch Basket on the north side of 24th Street, just west of 9th Avenue. Owner-crafted light food, very cozy, with a few chairs.

Remarkably, especially for those who know me well, I found the entire experience to be totally stress-free. There were no snags, no uncomfortable incidents. Most of the people I was surrounded by were older than myself, and there was certainly a strong element of crusty Lefty veterans of urban campaigns. But overall, there was an amazing diversity, camaraderie and just plain good will and caregiving (a number of people had canes, walkers, wheel chairs, folding seats of every description, and accompanying one elderly couple seen inside the building was a large oxygen tank which served the very sprightly and beautiful wife).

Everything was very orderly, with absolutely no confusion. The clinic staff was efficient, but they were also magnificently considerate, informative and charming. Everyone, patients and employees or volunteers, seemed to delight in a gentle comic humor as well.

But the fact remains, none of those people should have had to leave their homes in the night and wait outside in the cold in order to get a simple flu vaccine in the first place. We should do better, at least as well as the rest of the developed world does for its citizens, but I doubt that we ever will. It's all about the god of the free market, a false and indifferent god, but it's our very own.

Virgil Marti

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Virgil Marti Landscape Wallpaper with Star Border and Shrooms and Flame Dado (2001) screenprinted flourescent ink and rayon flock on paper, dimensions variable, detail of room installation

Dunno what to say. Virgil Marti just keeps exploding in magnificent excess, and always in excellently outrageous taste.

I suppose this will surprise anyone who has seen the environments with which I've always surrounded myself, but I really wish I had the means to live somewhere in the midst of the wonderful stuff of his current show at Elizabeth Dee.

[Unfortunately the gallery website hasn't been updated since the spring.]

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Virgil Marti Sconce (Electric Blue Apogee) (2004) vacuform plastic, urethane foam, Plexiglas mirror, chrome automotive paint, Luminore, Swarski crystals, epoxy resin, electrical wiring, 1/2 chrome 25-watt bulbs 46" x 45" x 15" installation view, with related sculptures visible to the right

Type A

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Type A AA <-> AB / 200 (NL) (C) 9.30.04 [yes, that is the title] (2004) crayon on paper 60" x 140"

They're back. Type A, the collaborative team of Adam Ames and Andrew Bordwin, has returned to Sara Meltzer Gallery with "Push." Known for video and still imagery exploring how contemporary American males relate to each other almost exclusively through aggression or competition, the team introduces drawing into their work for the first time in this show.

Barry and I were the first to collect their work, a number of years back, and we were thrilled to be able to do so. The excitement hasn't diminished.

I'm happy to report that the intelligence and humor which has marked everything they have done survives in this grand and gorgeous, three-part installation.

There are large drawings in the first room, video in the gallery's "neck" and photographic diptychs in the third space.

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Type A AA <-> AB / 3-1 [again, yes that is the title] (2004) digital c-prints, diptych, each panel 20" x 24"

[diptych image from Sara Meltzer Gallery]

Julianne Swartz

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Julianne Swartz Excavation (2004) plexiglas, fiber optic cable, LED, wire, prism 25' x 14' x 8' very small detail

Julianne Swartz's show at Josee Bienvenu Gallery closed on Saturday, so for now all that's left is the recorded evidence, including the image shown above of part of a room-size piece and the gallery's description of it: "Excavation is a spindly tube system (a fiber optic 'telephone' line) that winds through the entire gallery in order to transmit a miniscule miracle." The press release describes Swartz as "known for her sculptural installations that subvert traditional social conceptions of space." The "miniscule miracle" was a secret rainbow barely visible inside a hole in the wallboard at the end of the line.

Very cool.

Bozidar Brazda

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Bozidar Brazda Re-constituted Prison Wall (2004) plywood, bread, rug, spray paint, carpet, stereo and CD 192" x 48" x 53" (variable)

In an auspicious debut inside a new gallery in Chelsea, the work by Bozidar Brazda at Haswellediger & Co. on 23rd Street includes some gorgeous works on paper. There is an overall concept to the installation, called "The Journalist," which includes a number of individual sculptures. The parts and the whole were both just about equally baffling, but in a good way. I mean that I don't really know what he's doing here, but I wouldn't want to miss anything he does in the future.

Eugene Von Bruenchenhein

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Eugene Von Bruenchenhein untitled oil paint on board 22" x 28" large detail

When we walked into the show at Feigen Contgemporary on Saturday afternoon the fantastic art of a brilliant outsider, Eugene Von Bruenchenhein, was totally new to us, but not to many others, as we quickly discovered.

The exhibition closed that day, but for anyone seduced by the image above, beyond what is available on the gallery website there are many more in a number of media (and a fascinating story) easily Googled.

His wife was the model in his photograpy, and his muse for decades, but she wasn't the only one who was hot:

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Von Bruenchenhein

[black and white image from gmtPlus9]

American Fine Arts must not die

American Fine Arts [no website] opened a smashing new show, "Election," last night, but the legendary gallery founded by Colin de Land (and currently located in the last home of the equally fabulous gallery created by Pat Hearn) will close when this show is taken down November 18.

This is a very big loss, but I can't imagine a gallery scene without Daniel McDonald around and I don't expect we're going to lose sight of him.

Apart from that, Mrs. Lincoln really enjoyed the show in the space Daniel has been managing full-time at least since Colin's tragic death last year (just three years after we had grieved for his wife, Pat) is fully worthy of its history. She adds that it's a must-see, and preferably before the momentous [civil?] war-time election going down just eleven days hence.

The show was organized by James Meyer. There's no gallery checklist yet, so the images I can show below have only a skeletal description.

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Hans Haacke Star Gazing

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Carl Andre and Melissa Kretschmer Welcome to Bushworld detail

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Claire Pentecost Molecular Invasion detail of installation

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John Waters Have Sex in a Voting Booth

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Paul Chan Baghdad in No Particular Order still from video

Democracy is Fun?

This evening we stopped in at the opening reception for White Box's new group show, "Democracy is Fun?," the latest in a series of intense installations they've been mounting as a response to our republic's desperate cries for help. We stayed longer than we had originally intended, and here are some of the reasons why. I should point out that, as is usual on these pages, the images which appear in the post are those the camera seemed to like. They are definitely not the only interesting works in the show, which was curated by Michele Thursz and Defne Ayas.

The gallery will be open election night with screenings and performances, and I'm sure there will be cable for the actual returns. Many of us will be more comfortable with the crowd which is going to be drawn to 26th Street than we would almost anywhere else. [As we get closer to November 2, I may post a list of the spaces which will be welcoming people who would not really be comfortable in either candidate's headquarters.]

This work near the entrance went straight to the core of America's funny democracy:
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Hug and Magnan Escape (2004) duraflex printed mounted on aluminum, installation view

These political footballs were the kinetic sculptures we found rolling underfoot throughout the gallery space; they would occasionally meet a smartly placed toe which launched the scary Bush heads across the floor:
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Kendell Geers Kicking Against the Pricks (2004) 11 political latex masks, footballs, detail of installation view

Michael Anderson had eight collages made up of reconstructed "posters" along the west wall:
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Michael Anderson Empire Strikes Back (2004) street posters from NYC 32" x 24" detail

Hug and Magnan again - just because it says it so well and looks so good doing it:
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Hug and Magnan God Bless America flashe on found object, installation view

Marc Almond

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Pierre et Gilles Le diable (1989) unique hand-painted photograph

Needed here.

Marc Almond was critically injured in a motorcycle accident today in London. See Bloggy for a link to a 2002 Guardian tribute to Soft Cell, and an mp3 of "Tainted Love."

[image from covadonga]

M26: justice has a conniption fit

Innocent until proven guilty? Not anymore. One of the most basic principals of our law has been trashed regularly and systematically by our courts since September 11th. While what is happening to four peace activists here in New York at this moment may not be the most egregious examples of a justice system turned upside down and striking out at people all around the world, it's no small thing for the victims themselves and for the broad and fundamental evil of the judicial precedent it establishes.

Sixteen people were arrested in Manhatan on March 26, 2003, for (intentionally) tying up rush hour Midtown traffic in a protest against the murder of American peace activist Rachel Corrie by an Israeli soldier in the Gaza Strip, as well as the U.S. attack on Iraq. They were all convicted on March 22 this year on the outrageous, Orwellian charge, "obstructing governmental administration."

Twelve of the codefendents have been sentenced to community service and fines. Four have not been sentenced yet, because the Manhattan District Attorney had a judge unseal their older records. The D.A. then cited their previous demonstration arrests, most of which resulted in all charges being dismissed, as a reason for the judge to sentence them to an (unspecified) jail term (under the law the judge can sentence each of the four to anything from 0 to 365 days in jail). The twelve codefendants who were earlier given sentences far less severe did not have their records unsealed.

The four remaining now face posssible jail time for alleged acts in the past which were never proven in a court of law.

Every citizen, whether active in political demonstrations or just unfortunate to be arrested for any offense, however minor, and including misdemeaners, must be made to understand that there is no longer any assumption of innocence in the American courts. If you have appeared before a judge at any time in the past, not been tried but rather had your case dismissed and its record "sealed," the fact that you had been in that court may be used against you years later in order to determine your sentencing for a conviction totally unrelated to the previous offense.

The D.A. and the judge merely have to be really mad at you, and they don't have to tell anyone why.

The corollary to this incredible development has to be that from now on no one will be able to afford to accept a "dismissal" of his or her offences, regardless of the practical attractions of such a resolution, but must instead pursue every charge all the way through the courts. Of course neither the individual nor the judiciary is actually going to be able to live with that burden; something will have to give - or explode.

Like so much else that falls under the rubric, "everything has changed since 9/11," the politicization of our courts is swiftly contributing to the destruction of the society we think we are defending.

The four M26 defendents (the name refers to March 26, the date of the action for which they were arrested) who still await their fate have already gone through two appeals, and both have been rejected. The outcome of a third appeal will not be known prior to November 18, the scheduled date of their sentencing.

The range of possible outcomes runs from the best-case scenario - fines and community service, despite their "records" of dismissed charges - to the worst case scenario - taken directly from the courtroom to Rikers Island Penitentiary.

They've put out an appeal for people to be with them in the courtroom on the morning of the sentencing, since it's vitally important to show the judge that they have community support. And of course some of the media will be there.

The people who await the disposition of their cases have one more request to make of their supporters, and it's characteristically thoughtful and generous. This is Steve Quester:

AP4 will see many cases that day, not just ours. Please come at 9 am so you can get a seat in the courtroom before it fills up. And please keep in mind that there will be many defendants and their families and friends present. Unlike the four of us, few if any of those defendants will be White. Unlike the four of us, none of those defendants will benefit from an outpouring of community support. If you are able to stay for some of the cases that follow ours, please do. I cringe at the thought of an exodus of hundreds of mostly White people from the courtroom as soon as we're sentenced.

THE LOGISTICS: Go to 100 Centre Street, which you can locate here. They will be on the 4th floor, in Arraignment Part (AP) 4. The nearest subways are the J, M, N, Q, R, W, Z, and 6 trains to Canal Street. You can also take the 4 or 5 to Brooklyn Bridge-City Hall, or the B or D to Grand Street. The closest stop on the A, C, and E trains is Canal Street; Franklin Street on the 1 train, and Chambers Street on the 2 or 3.

Check www.m26.org in the days leading up to the sentencing, to learn about any (unlikely) possibility of a further delay in sentencing.